Prints in the Blaffer Foundation Collection
For an image of selected prints, click on the highlighted title.
Aveline, Pierre-Alexandre (c. 1702-1760)
L'Enseigne de Gersaint,
after Antoine Watteau,
c. 1732.
Etching, engraving,
585 x 860 mm.
Goncourt 95; Dacier and Vuaflart 115/III.
Acc. no. 1997.14.
Bakhuizen, Ludolf (1630-1708)
D'Y
Stroom en Zee gezichten geteekent en geetst door Ludolf Bakhuizen (The River Y and
Sea Views),
1701.
Etchings,
each approximately 170 x 230 mm.
Bartsch 1-10; Dutuit 1-10, iii/iii; Hollstein 1-10, iii/iii.
Acc. no. 1997.02.01-13.
Beham, Sebald (1500-1550)
Drummer Acker Concz and
Ensign Klos Wuczer in the Peasants' War 1525,
1544.
Engraving,
79 x 58 mm. (sheet size).
Bartsch 199; Pauli, Hollstein 202, i/ii.
Acc. no. 1998.11.
Binck, Jacob (c. 1500-c. 1569)
Two Soldiers and a Drummer,
c. 1530.
Engraving.
Bartsch 65; Hollstein 157 ii/ii.
Acc. no. 1996.01.
Blooteling, Abraham (1640-1690)
Frans van Mieris,
c. 1675.
Mezzotint.
Hollstein 185, second state.
Acc. no. 1996.12.
Boissieu, Jean Jacques de
Self-Portrait,
1796.
Etching.
Boissieu/Perez 102, iv/viii.
Acc. no. 1999.01.
Bolswert, Boetius Adamsz. (c. 1580-1633)
Zinneprent op het Bestand (Boerenverdriet) [Print Reflecting on the Truce (Peasant
Sorrow)],
after David Vinckboons,
plates 1, 4
1609 or after.
Engravings,
220 x 295 mm.
Wurzbach 22 (the set); Hollstein 314, 317.
Acc. nos. 1996.14, 1999.19.
Bolt, Friedrich
The Daughter of Butados of Sikyon, Drawing the Silhouette,
1804.
Lithograph.
Winkler 095.1.
Acc. no. 1999.05.
Bosse, Abraham (1602-1676)
Les Forces de La France, published by Mariette,
c.1635-43.
Etching.
Duplessis 1228; Blum 921.
Acc. no. 1997.01.
Le Noble Peintre.
Etching.
Duplessis 1385; Blum 1076, i/ii.
Acc. no. 1999.31.
Voicy la representation d un Sculpteur dans son Attelier,
1642.
Etching and engraving.
Duplessis 1386; Blum 204.
Acc. no. 1996.16.
Bray, Dirk de (active 1651-1678)
Salomon de Bray (Painter and Architect in Haarlem and Father of the Artist),
1664.
Woodcut, with a counterproof (?) of the first state.
Hollstein 122 ii/ii and i/ii in reverse.
Acc. no. 1996.04.01-02.
Bunbury, Henry W. (1750-1811)
Me & My Wife and Daughter,
1791.
Etching and stipple.
Acc. no. 1996.06.
Callot, Jacques (1592-1635)
Le Siege de la Citadelle de St.-Martin, dans l'Ile de Re,
1627.
Six etchings and ten ornamental borders (borders by Michel Lasne, Abraham Bosse, and,
perhaps, Charles Delorme),
each of six main sections 575 x 435 mm.
Lieure 654 (six main sections), ii/ii or iii/iii;
Lieure 656-659 (top and bottom borders), ii/ii or iii;
side borders, only states.
Acc. no. 1997.05.01-16.
Combat d Avigliano,
1629.
Etching.
Lieure 663, i/ii.
Acc. no. 1999.06.
Les Miseres et les Malheurs de la Guerre (Les Grandes Miseres de la Guerre),
1633.
Etchings.
Meaume 564-581; Lieure 1339, iii/iii; Leiure 1340-1356, ii/iii.
Acc. no. 1996.17.01-18.
Carracci, Agostino (1557-1602)
Mars Driven Away from Peace and Abundance by Minerva, after Tintoretto,
1589.
Engraving.
Bartsch 118; Bohlin 148 ii/iv; De Grazia 148 iii/v.
Acc. no. 1996.05.
Castiglione, Giovanni Benedetto (c. 1610-1663/65)
The Genius of Castiglione,
1648.
Etching,
371 x 249 mm.
Bartsch 23; Percy E. 16; Bellini 56, iii.
Acc. no. 1997.10.
Charlet, Nicolas-Toussaint
Seriez-vous sensible? (Napoleonic Soldier at a Print Seller s Stand),
1827.
Lithograph.
De la Combe 664.
Acc. no. 1999.09.
Chodowiecki, Daniel (1726-1801)
Cabinet d'un Peintre,
1771.
Etching.
Engelman 75.
Acc. no. 1996.11.
Cochin, Nicolas (1610-after 1649)
Batailles,
c. 1650.
Etchings.
Inv. du Fonds Franç., Grav. du XVIIe siècle, II, 46, nos. 606-609.
Acc. no. 1997.23.01-04.
Coornhert, Dirk Volkertsz. (1519-1590)
The Submission of William II, Duke of Cleves, after Maarten van Heemskerck,
1555.
Plate 8 from The Victories of Emperor Charles V.
Engraving.
Hollstein (Heemskerck) 531, iii/iv.
Acc. no. 1999.29.
Cranach, Lucas the Elder (1472-1553)
Jousting Tournament with the
Tapestry of Samson and the Lion,
1509.
Woodcut, 295 x 419 mm.
Bartsch 126; Dodgson 56; Hollstein 117.
Acc. no. 1998.04.
Cruikshank, Isaac
The Wet Party,
1793.
Etching with publisher's color.
BM 8351.
Acc. no. 1999.35.
David, Giovanni
Painting and Sculpture.
Etchings.
Acc. no. 1998.18.01-02.
Daullé, Jean (1703-1783)
Catherine Mignard, comtesse de Feuquières, after Pierre Mignard,
1735.
Engraving.
Firmin-Didot 333, second state.
Acc. no. 1998.13.
Delaune, Etienne (1518/19-1583)
Victory.
Engraving.
Robert-Dumesnil 283, i/iv.
Acc. no. 1999.30.
Della Bella, Stefano (1610-1664)
Attack on the Fort of Porto Longone,
1650.
Etching, 446 x 562 mm.
De Vesme-Massar 881, only state.
Acc. no. 1997.36.
Demarteau, Gilles
Carle Vanloo Peintre du Roy, Ecuier.
Crayon manner engraving.
Leymarie 35.
Acc. no. 1999.14.
Dorigny, Michel (1617-1665)
Pan and Syrinx,
1666.
Etching.
Robert-Dumesnil 4.
Acc. no. 1998.15.
Dürer, Albrecht (1471-1528)
The Six Warriors,
c. 1495-96.
Engraving, 134 x 146 mm.
Bartsch 88; Meder 81, a-b (of e).
Acc. no. 1998.08.
The Lady on Horseback and the Landsknecht,
c. 1497.
Engraving.
Bartsch 82; Meder and Hollstein 84, a (of d).
Acc. no. 1999.20.
The Standard Bearer,
1502.
Engraving.
Meder 92, a (of c).
Acc. no. 1999.24.
The Cannon,
1518.
Etching on iron, 220 x 325 (sheet size).
Bartsch 99; Meder 96 with rust marks a (of g); Boon-Scheller 96 (II); Dodgson 86.
Acc. no. 1998.01.
Dujardin, Karel (1622-1678)
The Battlefield,
1652.
Etching.
Bartsch 28; Dutuit 28; Hollstein 28, ii/ii, first edition.
Acc. no. 1998.02.
Dyck, Anthony van (1599-1641)
Pieter Brueghel the Younger,
c. 1635.
Etching.
Mauquoy-Hendrickx 2, iv/vi.
Acc. no. 1997.03.
Earlom, Richard (1743-1822)
The Academicians of the Royal Academy, after Johann Zoffany,
1773.
Mezzotint,
19 x 28.5 in. (platemark).
Chaloner-Smith 1, i-ii/ii.
Acc. no. 1996.07.
Edelinck, Gerard (1640-1707)
Self-Portrait, after Pierre Mignard,
c. 1680.
Engraving.
Robert-Dumesnil 274, second state.
Acc. no. 1996.13.
Floris, Frans I (1519/20-1570)
Victory Surrounded by Prisoners and Trophies,
1552.
Etching, 317 x 438 mm.
Hollstein 4, only state.
Acc. no. 1998.03.
Fyt, Jan (1611-1661)
Dogs,
1642.
Etchings,
each ca. 160 x 170 mm.
Hollstein 9-16, i/vi.
Acc. no. 1998.14.01-08.
Galle, Theodor (c. 1571-1633)
The Casting of Cannons, after J. Stradanus,
c. 1600.
Engraving,
200 x 267 mm.
Plate 3 of Nova Reperta, published by Johannes Galle.
Hollstein 410-430, ii/iii.
Acc. no. 1996.08.
Galle, Theodor (c. 1571-1633) and Hans Collaert (1566-1628)
Nova Reperta, after J. Stradanus,
c. 1600.
Engravings.
Hollstein 410-430 (Galle), 129-148 (Collaert), 3rd edition (Johannes Galle replacing Philips
Galle as publisher).
Acc. no. 1998.09.01-20.
Géricault, Théodore
Mameluck de la garde impériale défendant un trompette blessé,
1818.
Lithograph.
Clément 8; Delteil 9.
Acc. no. 1999.26.
Retour de Russie,
1818.
Lithograph,
444 x 366 mm. (image); 530 x 414 mm. (sheet size).
Clément 12, i/ii; Delteil 13, i/ii (this impression cited); Kornfeld iii/vi.
Acc. no. 1999.27.
Marche dans le Désert,
1822.
Lithograph,
291 x 401 mm.
Delteil 43, ii/ii.
Acc. no. 1999.07.
Passage du Mont St. Bernard,
1822.
Lithograph,
355 x 415 mm.
Delteil 44, iii/iv.
Acc. no. 1999.08.
Gheyn, Jacques de, II (1565-1629)
A Colonel, after Hendrik Goltzius,
1587.
Engraving.
Hollstein 353.
Acc. no. 1996.02.
Three plates from The Exercise of Arms: pt. 1, no. 34 (with ms. no.); pt. 2, no. 35, pt. 3,
no. 6,
1607-1608.
Engravings.
From Hollstein, Filedt Kok 146-262.
Acc. no. 1998.05.01-03.
Gillray, James (1757-1815)
A Peep at Christies,
1796.
Colored etching and aquatint, 352 x 253 mm.
BM 8888; Wright-Evans 429.
Acc. no. 1997.31.
The High German Method of Destroying Vermin at Rat-stadt,
1799.
Etching and engraving with publisher's color.
BM 9389.
Acc. no. 1999.34.
Gole, Jacob
Ludolf Backhuizen,
1701.
Mezzotint.
From Backhuizen's series D'Y Stroom en Zee gezichten.
Acc. no. 1997.02.02.
Goltzius, Hendrik (1558-1617)
Allegory of War,
1578.
Engraving, 197 x 362 mm.
Bartsch 108; Hirschmann 112; Hollstein 112, iii/v.
Acc. no. 1997.33.
Pygmalion and Galatea,
1593.
Engraving.
Bartsch 138; Hirschmann 158; Strauss 315, iii/iv.
Acc. no. 1998.17.
The Farnese Hercules,
c. 1592-94.
Engraving, 415 x 301 mm.
Bartsch 143; Hirschmann 145, ii/ii; Hollstein 145, ii/ii; Strauss 312, ii/ii.
Acc. no. 1997.34.
The Apollo Belvedere,
c. 1592/1617.
Engraving.
Bartsch 145; Hollstein 147, ii/ii; Strauss 314, ii/ii.
Acc. no. 1999.25.
Goya y Lucientes, Francisco (1746-1828)
Fran.co Goya y Lucientes, Pintor (Self-Portrait),
1799.
Plate 1 from Los Caprichos.
Etching and aquatint.
Acc. no. 1980.13.
Ni mas ni menos,
1799.
Plate 41 from Los Caprichos.
Etching and aquatint,
198 x 150 mm.
Delteil 78; Harris 76/III/1 (of 12).
Acc. no. 1997.21.
Linda maestra!,
1799.
Plate 68 from Los Caprichos.
Etching and aquatint.
Acc. no. 1980.7.
Libereza y atrevimiento de Janito Apinai en la plaza de Madrid,
1816.
Plate 20 from La Tauromaquia.
Aquatint.
Acc. no. 1980.14.
El esforzado rendon picando un toro, de cuya suerte murio en la plaza de Madrid,
1816.
Plate 28 from La Tauromaquia.
Acquatint.
Acc. no. 1980.11.
The Disasters of War,
c. 1810-1814/1863.
Aquatints.
Acc. no. 1979.9.01-80.
Los Disparates,
c. 1816-1817/1864.
Aquatints.
Acc. no. 1984.01.01-19.
Guérin, Pierre Narcisse (1774-1833)
Le Vigilant,
1816.
Crayon lithograph,
197 x 272 mm.
Beraldi VII, p. 6; B.N. IX, p. 465.
Acc. no. 1998.12.
Haid, Johann Jakob (1704-1767), publisher
La Peinture--Die Mahler Kunst, after François Boucher,
c. 1760.
Etching, mezzotint in blue ink, 408 x 318 mm.
Not in Nagler nor in Le Blanc.
Acc. no. 1997.17.
La Sculpture--Die Bildhauer, after Jean-Baptiste-Marie Pierre,
c. 1760.
Etching, mezzotint in blue ink,
412 x 323 mm.
Not in Nagler nor in Le Blanc.
Acc. no. 1997.18.
Hertel, Johann Georg the Elder (active 1700-c. 1760), publisher
The Landscape Painter in His Studio, after François Boucher,
c. 1760.
Etching, engraving,
379 x 255 mm.
Not in Nagler nor in Le Blanc.
Acc. no. 1997.15.
The Sculptor in His Studio, after Jean-Baptiste-Marie Pierre,
c. 1760.
Etching, engraving,
376 x 258 mm.
Not in Nagler nor in Le Blanc.
Acc. no. 1997.16.
Hogarth, William (1697-1764)
The Lottery,
1721.
Paulson 11, viii/viii.
Acc. no. 1983.05.82.
An Emblematical Print on the South Sea Scheme,
1721.
Paulson 10, vii/vii.
Acc. no. 1983.05.84.
A Just View of the British Stage,
1724.
Paulson 45, ii/ii.
Acc. no. 1983.05.85.
The Mystery of Masonry Brought to Light by the Gormogons,
1724.
Paulson 43, iii/iii.
Acc. no. 1983.05.86.
Hudibras Beats Sidrophel,
1725/26.
Plate VIII from Illustrations for Samuel Butler's Hudibras.
Paulson 80, ii/ii.
Acc. no. 1983.05.87.
Boys Peeping at Nature,
1731/51.
Etching.
Paulson 120, iv.
Acc. no. 1997.24.
A Harlot's Progress,
1732.
Paulson 121, iii/iv;122, iii/iv; 123, iii/iii; 124, iii/iii; 125, iv/iv; 126, iii/iii.
Acc. no. 1983.05.02-07.
A Chorus of Singers,
1732.
Paulson 127, iii/iii.
Acc. no. 1983.05.60.
A Midnight Modern Conversation,
1732/33.
Paulson 128, iii/iii.
Acc. no. 1983.05.28.
The Laughing Audience,
1733.
Paulson 130, iv/iv.
Acc. no. 1983.05.61.
Southwark Fair,
1733/34.
Paulson 131, only state.
Acc. no. 1983.05.31.
A Rake's Progress,
1735.
Paulson 132, iv/iv; 133, v/v; 134, iii/iii; 135, iii/iii; 136, i/iii; 137, ii/iii; 138, iv/iv; 139, ii/iii.
Acc. no. 1983.05.08-15.
Before,
1736.
Paulson 141, i/iii.
Acc. no. 1983.05.26.
After,
1736.
Paulson 142, i/iii.
Acc. no. 1983.05.27.
The Sleepy Congregation,
1736.
Paulson 140, iii/iv.
Acc. no. 1983.05.57.
The Distrest Poet,
1736/37.
Paulson 145, iii/iii.
Acc. no. 1983.05.29.
Scholars at a Lecture,
1736/37.
Paulson 143, ii/ii.
Acc. no. 1983.05.62.
The Company of Undertakers,
1736/37.
Paulson 144, ii/ii.
Acc. no. 1983.05.63.
The Four Times of Day,
1738. Paulson 152, ii/ii; 153, ii/ii; 154, iii/iv; 155, ii/ii.
Acc. no. 1983.05.22-25.
Strolling Actresses Dressing in a Barn,
1738.
Paulson 156, iv/iv.
Acc. no. 1983.05.39.
The Funeral of Chrystom and Marcella Vindicating Herself,
1738.
Illustration for Cervantes's Don Quixote.
Acc. no. 1983.05.94.
The Innkeeper's Wife & Daughter Taking Care of ye Don after Being Beaten and
Bruised,
1738.
Illustration for Cervantes's Don Quixote.
Acc. no. 1983.05.95.
Don Quixote Releases the Galley Slaves,
1738.
Illustration for Cervantes's Don Quixote.
Acc. no. 1983.05.96.
The Unfortunate Knight of the Rock Meeting Don Quixote,
1738.
Illustration for Cervantes's Don Quixote.
Acc. no. 1983.05.97.
Don Quixote Seizes the Barber's Bason [sic] for Mambrino's Helmet,
1738.
Illustration for Cervantes's Don Quixote.
Acc. no. 1983.05.98.
The Curate and Barber Disguising Themselves to Convey Don Quixote Home,
1738.
Illustration for Cervantes's Don Quixote.
Acc. no. 1983.05.99.
The Enraged Musician,
1741.
Paulson 158, iii/iii.
Acc. no. 1983.05.30.
Benjamin Hoadly, Bishop of Winchester,
1743.Paulson 226, only state.
Acc. no. 1983.05.44.
Characters Caricaturas,
1743.
Paulson 162, ii/ii.
Acc. no. 1983.05.66.
The Battle of the Pictures,
1744/45.
Etching.
Paulson 163, only state.
Acc. no. 1983.05.88.
Mr. Garrick in the Character of Richard the Third,
1746.
Paulson 165, ii/ii.
Acc. no. 1983.05.32.
Simon Lord Lovat,
1746.
Paulson 166, i/iii.
Acc. no. 1983.05.58.
Industry and Idleness,
1747.
Paulson 168, iii/iii; 169, ii/ii; 170, ii/ii; 171, ii/ii; 172, ii/iii; 173, iv/v; 174, ii/ii; 175, ii/ii; 176,
iii/iv; 177, ii/ii; 178, iii/iii; 179, iii/iii.
Acc. no. 1983.05.45-56.
A Country Inn Yard at Election Time: The Stage-Coach,
1747.
Paulson 167, iii/iv.
Acc. no. 1983.05.59.
O the Roast Beef of Old England: The Gate of Calais,
1748/49.
Etching and engraving.
Paulson 180, ii/ii.
Acc. no. 1983.05.33.
Gulielmus Hogarth (Self-Portrait),
1748/49.
Etching and engraving.
Paulson 181, iii/iii.
Acc. no. 1983.05.89.
View of Ranby s House.
Etching,
102 x 150 mm.
Paulson 182, i/ii.
Acc. no. 1998.21.
The March to Finchley,
1750/51.
Etching and engraving.
Paulson 237, vii/ix.
Acc. no. 1983.05.38.
Beer Street,
1750/51.
Paulson 185, iii/iv.
Acc. no. 1983.05.67.
Gin Lane,
1750/51.
Paulson 186, iii/iv.
Acc. no. 1983.05.68.
First Stage of Cruelty,
1750/51.
Paulson 187, i/ii.
Acc. no. 1983.05.69.
Second Stage of Cruelty,
1750/51.
Paulson 188, i/ii.
Acc. no. 1983.05.70.
Cruelty in Perfection,
1750/51.
Paulson 189, i/ii.
Acc. no. 1983.05.71.
The Reward of Cruelty,
1750/51.
Paulson 190, iii/iv.
Acc. no. 1983.05.72.
Paul before Felix,
1751/52.
Paulson 192, iii/v.
Acc. no. 1983.05.34, 36.
Paul before Felix Burlesqued,
1751.
Paulson 191, iii/v.
Acc. no. 1983.05.35.
Moses Brought to Pharaoh's Daughter,
1752.
Paulson 193, iii/iv.
Acc. no. 1983.05.37.
Columbus Breaking the Egg,
1752.
Paulson 194, ii/ii.
Acc. no. 1983.05.65.
The Analysis of Beauty,
1753.
Plates I and II.
Etching and engraving.
Paulson 195, iii/iii; 196, i/iii.
Acc. no. 1983.05.90-91.
Crowns, Mitres, Maces, etc.,
1754.
Acc. no. 1983.05.93.
Four Prints of an Election,
1755-1758.
Paulson 198, v/viii; 199, v/vi; 200, iii/iv; 201, iii/iii.
Acc. no. 1983.05.40-43.
Engraved Ticket,
1755.
Acc. no. 1984.27.
The Invasion: France,
1756.
Etching.
Paulson 202, iii/iii.
Acc. no. 1983.05.73.
The Invasion: England,
1756.
Etching.
Paulson 203, iii/iii.
Acc. no. 1983.05.74.
William Hogarth Painting the Comic Muse,
1758.
Etching and engraving.
Paulson 204, v/vii.
Acc. no. 1983.05.01.
The Bench,
1758.
Paulson 205, iii/vi.
Acc. no. 1983.05.64.
Pit Ticket: The Cockpit,
1759.
Paulson 206, only state.
Acc. no. 1983.05.75.
The Five Orders of Periwigs,
1761.
Acc. no. 1983.05.83.
Time Smoking a Picture,
1761.
Etching.
Paulson 207, ii/ii.
Acc. no. 1983.05.92.
Credulity, Superstition and Fanaticism,
1762.
Acc. no. 1983.05.79.
The Times,
1762 (and 1763?).
Acc. no. 1983.05.80-81.
John Wilkes Esqr.,
1763.
Acc. no. 1983.05.76.
The Bruiser,
1763.
Paulson 215.
Acc. no. 1983.05.78.
Tail Piece: The Bathos,
1764.
Etching and engraving.
Paulson 216.
Acc. no. 1983.05.77.
The Foundlings,
1739.
Etching and engraving.
Paulson 225.
Acc. no. 1999.37.
Marriage a la Mode,
1745.
Paulson 228, v/vii; 229, iv/v; 230, ii/iii; 231, ii/iii; 232, iv/v; 233, iii/iii.
Acc. no. 1983.05.16-21.
Hollar, Wenceslaus (1607-1677)
Muscarum Scarabeorum . . . (Beetles and Butterflies),
1646.
Etchings,
each 81 x 117 mm.
Parthey/Pennington 2164-2175, i/ii or iii.
Acc. no. 1997.04.01-12.
The Announcement of the Peace of Münster in Antwerp,
1648. Etching, 219 x 338 mm.
Parthey/Pennington 561, i/ii.
Acc. no. 1997.25.
Hooghe, Romeyn de (1645-1708)
Spiegel der France Tirannye,
1673.
Etching, 310 x 400 mm.
Landwehr, p. 65.
Acc. no. 1997.32.
Jacobe, Johan
Model Studio in the Imperial Academy of Art, Vienna, after M. F. Quadal,
1790.
Mezzotint.
LeBlanc 18, i/ii; Heller-Andresen 6, i/iii.
Acc. no. 1999.16.
Jazet, Jean-Pierre-Marie
Le Soldat de Waterloo,
1821.
Aquatint.
Inventaire du Fonds Français, Après 1800, vol. XI, no. 75, ii.
Acc. no. 1999.38.
Le Soldat Laboureur,
1821.
Aquatint.
Inventaire du Fonds Français, Après 1800, vol. XI, no. 76, ii.
Acc. no. 1999.39.
Leclerc, Sebastien I (1637-1714)
L Académie des Sciences et des Beaux-Arts,
1698.
Engraving, etching,
248 x 384 mm.
Le Blanc 310, viii/ix; Invent. du Fonds Franç., Grav. du XVIIe siècle, VIII, no.
859, ii/viii.
Acc. no. 1997.13.
Liagno, Filippo, called Napolitano (c. 1587-1629)
Soldier in Profile Holding a Pike,
c. 1610.
Etching.
Bartsch 10, only state.
Acc. no. 1996.03.
Martini, Pierre-Antoine
Coup-d oeil exact de l arrangement des Peintures au Salon du Louvre, en 1785,
1785.
Etching.
Beraldi 12.
Acc. no. 1999.03.
Exposition au Salon du Louvre en 1787,
1787.
Etching.
Beraldi 12.
Acc. no. 1999.04.
Master NA-DAT, or Master with the Mousetrap (active ca. 1500-1520)
The Two Armies at the Battle of Ravenna,
c. 1512-13.
Engraving, 151 x 221 mm. (sheet size).
Bartsch 2, i/iii.
Acc. no. 1999.21.
Matham, Jacob (1571-1631)
Saint Luke Painting the Virgin (after Hendrik Goltzius),
c. 1613.
Engraving, 507 x 375 mm.
Bartsch 113, i/ii; Hollstein 143, i/ii; Widerkehr M. 29, i/ii.
Acc. no. 1997.37.
Matham, Theodor (c. 1605-1676)
Painting Crowned by a Genius, c. 1650.
Etching, engraving,
414 x 285 mm.
Hollstein 43, i/ii.
Acc. no. 1997.11.
Niccolò della Casa (active 1543-1548)
Portrait of Baccio Bandinelli, Seated in His Studio, after Baccio Bandinelli,
1548.
Engraving,
414 x 306 mm.
Acc. no. 1998.22.
Opiz, Georg Emanuel (1775-1841)
Lager der Kosacken in den Elyseischen Feldern zu Paris im April 1814,
1814.
Etching.
Acc. no. 1999.36.
Ostade, Adriaen van (1610-1685)
The Painter,
1667?
Etching,
242 x 184 mm.
Bartsch 32; Davidsohn v/x; Godefroy and Boon-Verbeek vi/xii.
Acc. no. 1996.10.
The Backgammon Players,
1682?
Etching, 92 x 81 mm.
Bartsch 39; Davidsohn, Godfroy, and Boon-Verbeek ii/vi.
Acc. no. 1996.09.
Parizeau, Philippe-Louis (1740-1801)
Artists' Studio with Putti, after L. F. de La Rue,
1771.
Etching,
98 x 140 mm.
From Nagler 22; from Le Blanc 10-109; Portalis-Beraldi, III, 271.
Acc. no. 1997.19.
Pesne, Jean
Self-Portrait (the Pointel-Cerisier Self-Portrait), after Nicolas Poussin,
c. 1660-61? (after the painting of 1649).
Engraving and etching.
LeBlanc 96, i/ii; Robert-Dumesnil 6, i/ii; Wildenstein 1, i/ii.
Acc. no. 1996.15.
Pether, William (c. 1738-1821)
An Academy, after
Joseph Wright of Derby,
1772.
Mezzotint, 585 x 460 mm.
Clayton 9, ii/ii.
Acc. no. 1998.06.
Podestà, Giovanni Andrea (1610/15-1674)
Allegory with Cupid and Putti,
1640.
Etching and engraving, 262 x 388 mm. (platemark).
Bartsch 5, i/iv.
Acc. no. 1997.28.
Rembrandt van Rijn (1606-1669)
Self-Portrait with Various
Studies,
c. 1632.
Etching, 99 x 105 mm.
Bartsch, Rovinski, Seidlitz 363; Hind 90; Bjorklund-Barnard 32-1; Nowell-Usticke 363, 1 (e);
White-Boon 363, ii/ii.
Acc. no. 1998.07.
Man Drawing from a Cast,
c. 1641.
Etching,
94 x 64 mm.
Bartsch 130; Hollstein 130; H. 191; BB. 41-4, ii/iii.
Acc. no. 1998.10
The Goldsmith.
Etching and drypoint,
79 x 57 mm.
Biorklund/Barnard 55-D; Hind 285; Bartsch, Hollstein 123, i/ii.
Acc. no. 1998.19.
Rosa, Salvator (1615-1673)
A Walking Warrier Carrying a Long Staff over His Shoulder,
c. 1656-57.
Etching with drypoint.
Wallace 9, ii/ii.
Acc. no. 1999.12.
A Standing Warrior Holding a War Hammer, His Back Turned to the Viewer,
c. 1656-57.
Etching with drypoint.
Wallace 33, ii/ii.
Acc. no. 1999.13.
The Genius of Salvator Rosa,
c. 1662.
Etching with drypoint,
457 x 275 mm.
Bartsch 24; Wallace 113, iii/iii.
Acc. no. 1997.07.
Alexander in the Studio of Apelles,
c. 1662.
Etching with drypoint,
459 x 275 mm.
Bartsch 4; Wallace 114, ii/ii.
Acc. no. 1997.08.
Ryland, William Wynne (1732-1783)
The Royal Academy of Arts as Protectress of the Visual Arts, after G. B. Cipriani,
1779.
Etching,
250 x 226 mm.
Bleackley, p. 110, no. 40.
Acc. no. 1997.20.
Sadeler, Aegidius
Pieter Brueghel the Elder or the Younger, after Bartholomeus Spranger,
1606.
Engraving.
Hollstein 279, ii/ii.
Acc. no. 1999.17.
Bartholomeus Spranger and His Wife, Christina Muller,
1600.
Engraving,
290 x 408 mm.
Holstein 332, ii/ii.
Acc. no. 1999.22.
Saenredam, Jan (1565?-1607)
Allegory of the Triumph of the Netherlands over Spain,
1600.
Engraving, 417 x 553 mm.
Bartsch 9; Hollstein 120, i/ii.
Acc. no. 1997.26.
Artist Painting a Nude Woman: Allegory of Visual Perception, after Hendrick Goltzius,
1616.
Engraving,
244 x 184 mm.
Bartsch 100; Wu. 100; Hollstein 106, ii/iii.
Acc. no. 1997.06.
Saint-Aubin, Augustin de
La Galerie de Heinecken,
1757.
Etching.
Portalis and Beraldi 231; Bocher 546, i/ii.
Acc. no. 1998.16.
Saint-André, Simon Renard de (1614-1677)
Allegory of France as a Protectress of the Visual Arts, after Charles Lebrun,
c. 1660-1670.
Etching, engraving,
347 x 254 mm.
Nagler, XVI, 58.
Acc. no. 1997.12.
Schmidt, Georg Frederic
Self-Portrait,
1752.
Etching with engraving.
Wessely 102, ii/ii.
Acc. no. 1999.10.
Self-Portrait with Spider in the Window,
1758.
Etching.
Wessely 103, iii/iii.
Acc. no. 1999.11.
Schut, Cornelis (1597-1655)
Two Naked Children Near a Cannon,
c. 1630.
Etching (with a counter-proof, reworked and enlarged with brown ink).
Hollstein 173.
Acc. no. 1997.22.01-02.
Sintzenich, Heinrich
Portrait of Anton Raphael Mengs,
1784.
Stipple engraving in colors,
304 x 227 mm. sheet size.
Nagler 17, i/ii.
Acc. no. 1997.09.
Suyderhoef, Jonas (c. 1610-1686)
The Treaty of Munster, after Gerard ter Borch,
c. 1649
Etching and engraving.
Hollstein 15.
Acc. no. 1999.23.
Swanenburg, Willem van
Allegory of the Misuse of Worldly Property, after Maarten van Heemskerck,
1609.
Four engravings.
Hollstein 22-25; Hollstein (Heemskerck), 136-39.
Acc. nos. 1999.28.01-04.
Testa, Pietro (1612-1650)
The Triumph of the Virtuous Artist on Parnassus,
c. 1645.
Etching.
Bartsch 33, ii/iii; Bellini 33, ii/iii.
Acc. no. 1997.35.
Tiepolo, Domenico
The Arts Paying Homage to Pius VI,
1775.
Etching.
Rizzi 158.
Acc. no. 1999.18.
Tiepolo, Giovanni Battista (1696-1770)
Soldier Seated on a Tomb, with Surrounding Figures,
c. 1743/1749.
Etching, 133 x 172 mm.
Plate 3 from the Capricci.
De Vesem 5; Rizzi 31.
Acc. no. 1997.30.
Unknown French Artist
L Entrée d'une partie des Alliés à Paris,
1814.
Etching with publisher's color.
Acc. no. 1999.33.
Unknown Italian or French Artist
Draughtsman before Antique Ruins,
c. 1659-70.
Etching on blue paper.
Undescribed?
Acc. no. 1999.15.
Vaillant, Wallerant (1623-1677)
Boy Seated in a Studio, A
Plaster Cast of the Christ Child after Michelangelo in Front of Him.
Mezzotint, 275 x 213 mm.
Hollstein 98, i/ii.
Acc. no. 1997.27.
Vellert, Dirk Jacobsz
Saint Luke Painting the Virgin,
1526.
Engraving,
169 x 122 mm.
Bartsch, Hollstein 9.
Acc. no. 1998.20.
Vinkeles, Reinier
The Drawing Academy in Amsterdam (Draughtsmen before the Model by Lamplight),
1768.
Engraving.
Wurzbach II.37; LeBlanc 34, ii/ii; Nagler Kunstlerlexikon 28, ii/ii; Frederick Muller 4195, iii/iv.
Acc. no. 1999.02.
Wierix, Johann (1549-after 1615)
The Power of Peace,
c. 1577.
Engraving.
Mauquoy-Hendrickx 1652, ii/v.
Acc. no. 1999.32.
Woeiriot, Pierre (1532-1608?)
Phalaris Condemning the
Sculptor Perillus to the Bronze Bull, after Baldassare Peruzzi,
before 1562.
Engraving, 222 x 172 mm.
Robert-Dumesnil 205, i/ii; Inventaire du Fonds Français, Grav. du XVIe siècle, II,
no. 21, i/ii.
Acc. no. 1997.29.
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